I took a creative writing class, about a million years ago, when I was in college. One of the first things you learn in creative writing is to avoid hinging everything on a twist ending. It may or may not be exciting the first read through, has a tendency to backfire completely, and no one will ever pick up your story a second time. A good story can and should stand alone on its own merits with the beginning, middle, and end providing the same amount of enjoyment.
The point of a good story is the journey on which it takes you, not the destination at which you arrive. That's why I don't really mind spoilers, in most cases. If a story (movie, book, television series, whathaveyou) is worth being bothered with then knowing what happens ahead of time rarely diminishes that experience.
Bizarro Christians, however, love twist endings.
They're utterly obsessed with only two parts of the New Testament: the death and resurrection of Jesus, and their extremely distorted "interpretation" of the book of revelations. Honestly, how much more twisty-ending can you get? Their version of the gospels goes:
"This guy Jesus died. The devil won. Everybody was pretty upset about it. BUT! It turns out he was totally god and he comes back to life! We win! The end!"
Revelation goes similarly. Rather than reading it as a piece of literary, historical, or allegorical writing they latched onto the 19th century rise of dispensationalism and view it as some sort of outline for the apocalypse*.
To them, the book of Revelation goes: "Jesus shows up, fights off the devil and his sidekick the anti-christ, tortures everybody we don't like, boots them all into hell, and WE WIN! Again!"
It's honestly the doctrinal equivalent of "My dad can beat up your dad. Nyah-nyah-nyah-nyah-nyah" except instead of their dad beating up our dad, their dad beats up us which doesn't seem altogether fair. It's a weird thing to wish on other people, but there it is.
So those are the two topsy-turny-twisty endings that make up about 90% of the evangelical doctrine, in the U.S.
I suppose those endings are very comforting, for some people. The message of both is "We win! You lose! Ha!" which would obviously be attractive to a lot of folks. It disappears thousands of years of christianity, and more appallingly the entirety of Jesus' three year ministry. Jesus had a lot to say, and the folks who wrote the gospels had a lot to say about the things he said, and the folks who've been writing about the gospels ever since have yet more lots to say about the things those other people said.
But those stories don't have compelling enough endings, I guess. Most holy books, religious writings, or philosophical texts are designed to indicate how we should interact with the people we come in contact with, navigate the experience of being human, or commune with the divine in some way. They're intended to enrich, teach, or enlighten. At their most basic, they're designed to form a structure to live by, with stories, histories, rules, explanations and mythologies to illustrate a richness of experience for us to draw from as we grapple with who we are and where we're going - individually and together.
Whether you find inspiration and guidance from the Bhagavad Gītā, Tanakh, Qur'an, New Testament, Buddhavacana or from Dandelion Wine, the point is what it teaches you and how it touches you. The point is not to race to the end to justify the rightness of your position over all others.
In summary, I defer to Messrs Lennon/McCartney:
*This reading of the book of Revelation is, of course, not at all biblical. How and why it's such a perverse view of biblical teaching, and christianity in general, has and is being explained over at Slacktivist with an eloquence I could never hope to achieve.
Showing posts with label The Beatles. Show all posts
Showing posts with label The Beatles. Show all posts
Wednesday, March 16, 2011
Friday, March 11, 2011
Imagine No Religion
I've always loved John Lennon.
He was murdered just before midnight December 8th, 1980, and I was born early December 9th, 1980. I still have the newspapers from that day. Something profoundly wonderful was leaving this world as I was coming into it, and that's always been strange for me.
I have a bit of an obsession with The Beatles, and with Lennon in particular. I even enjoy his solo albums and his collaborations with his wife, Yoko Ono. I identify with them and their work quite a bit.
Contrary to his most widely known solo work, however, I can't imagine no religion and I honestly have no desire to.
That isn't to say I don't imagine a world without religious persecution, oppression, violence, dogma or control.
A world without religion is as desirable to me as a world without history, literature, or art. These stories are significant to our development as a species. The ways in which humans have attempted to contemplate or explain the world around them provides insight into our nature. We tell stories, sing, paint, dance, think, write, build, design, explore, and tell more stories. Some of those stories become songs. Some of them are molded into sculpture or expressed through brushes and watercolor. Some of them are choreographed into ballets. Some become novels or comics or movies.
And some of them are passed along, scooped up, bound together and they become a religion.
The culture of the time influences it, and it influences the people and places where it's taught and practiced. Like any good form of expression it grows and adapts, twisting in on itself and back out again. Religion influences and is influenced by art, philosophy, and every other aspect of the human experience.
I never think "What if religion didn't exist?" What I imagine is a world in which we treat the traditions, philosophies, stories, cultural contexts, parables, poems, rules, psalms, doctrines, and silly hats with the same sort of reverence that we treat art. As it stands, religion is the extension of hierarchical power when it should be an extension of self-expression.
One/The Body's Grace - Ballet Austin
Photography by Hannah Neal, Amitava Sarkar, Tony Spielberg, Farid Zarrinabadi, Manda Levy
The ballet world has a history that's both exciting and provocative to anyone who's a gigantic nerd like me. The undercurrent of precision behind the softness of the Russian ballet contrasts with the velvety elegance of French ballet, the sleekness of neo-classical, or the freedom of contemporary. The forms pull from each other, with the more modern techniques relying heavily on a foundation laid out by the traditional schools. The rules and parameters of each are distinct, with strict lines and impeccable standards to which one must adhere. The various schools drew heavily from the culture in which they were embedded, and in turn helped shape the community around itself. Russian ballet, in particular, has been an integral part of the cultural framework of its country of origin for the entirety of its existence. Adherents to a particular technique are savagely loyal, and alteration is slow and intentional. Thousands have devoted their lives to the study, practice, development, and critique of their particular school of ballet and relations between the students or masters of respective forms can be strained or even incendiary.
And yet, no wars have been waged in the name of dance. Students of the Vaganova method have never executed artists at The Royal Ballet. Dancers often experience their art as the highest emotional expression possible, yet that passion doesn't manifest itself as violence.
I hope this doesn't come across as an attempt to diminish someone's faith by way of a comparison to dance. Honestly, I think there's no higher compliment to afford something than to call it art. I think religious and artistic expression are both core to our existence as humans. I also think that it's possible to divorce the emotional, social, and spiritual benefits of religion from its nasty role as a form of cultural despotism. In fact, I think that it's likely the only way to end religious violence. When religion is a form of self-expression that allows us to explore our relationship to the universe in a way that can be shared but is also profoundly personal then there's nothing to live or die for. It's a form of communication meant to help us relate our experiences to one another, not separate ourselves from anyone who doesn't conform to our ideals.
That's what I think, in any case. And I don't think I'm the only one.
He was murdered just before midnight December 8th, 1980, and I was born early December 9th, 1980. I still have the newspapers from that day. Something profoundly wonderful was leaving this world as I was coming into it, and that's always been strange for me.
I have a bit of an obsession with The Beatles, and with Lennon in particular. I even enjoy his solo albums and his collaborations with his wife, Yoko Ono. I identify with them and their work quite a bit.
Contrary to his most widely known solo work, however, I can't imagine no religion and I honestly have no desire to.
That isn't to say I don't imagine a world without religious persecution, oppression, violence, dogma or control.
A world without religion is as desirable to me as a world without history, literature, or art. These stories are significant to our development as a species. The ways in which humans have attempted to contemplate or explain the world around them provides insight into our nature. We tell stories, sing, paint, dance, think, write, build, design, explore, and tell more stories. Some of those stories become songs. Some of them are molded into sculpture or expressed through brushes and watercolor. Some of them are choreographed into ballets. Some become novels or comics or movies.
And some of them are passed along, scooped up, bound together and they become a religion.
The culture of the time influences it, and it influences the people and places where it's taught and practiced. Like any good form of expression it grows and adapts, twisting in on itself and back out again. Religion influences and is influenced by art, philosophy, and every other aspect of the human experience.
I never think "What if religion didn't exist?" What I imagine is a world in which we treat the traditions, philosophies, stories, cultural contexts, parables, poems, rules, psalms, doctrines, and silly hats with the same sort of reverence that we treat art. As it stands, religion is the extension of hierarchical power when it should be an extension of self-expression.
One/The Body's Grace - Ballet Austin
Photography by Hannah Neal, Amitava Sarkar, Tony Spielberg, Farid Zarrinabadi, Manda Levy
The ballet world has a history that's both exciting and provocative to anyone who's a gigantic nerd like me. The undercurrent of precision behind the softness of the Russian ballet contrasts with the velvety elegance of French ballet, the sleekness of neo-classical, or the freedom of contemporary. The forms pull from each other, with the more modern techniques relying heavily on a foundation laid out by the traditional schools. The rules and parameters of each are distinct, with strict lines and impeccable standards to which one must adhere. The various schools drew heavily from the culture in which they were embedded, and in turn helped shape the community around itself. Russian ballet, in particular, has been an integral part of the cultural framework of its country of origin for the entirety of its existence. Adherents to a particular technique are savagely loyal, and alteration is slow and intentional. Thousands have devoted their lives to the study, practice, development, and critique of their particular school of ballet and relations between the students or masters of respective forms can be strained or even incendiary.
And yet, no wars have been waged in the name of dance. Students of the Vaganova method have never executed artists at The Royal Ballet. Dancers often experience their art as the highest emotional expression possible, yet that passion doesn't manifest itself as violence.
I hope this doesn't come across as an attempt to diminish someone's faith by way of a comparison to dance. Honestly, I think there's no higher compliment to afford something than to call it art. I think religious and artistic expression are both core to our existence as humans. I also think that it's possible to divorce the emotional, social, and spiritual benefits of religion from its nasty role as a form of cultural despotism. In fact, I think that it's likely the only way to end religious violence. When religion is a form of self-expression that allows us to explore our relationship to the universe in a way that can be shared but is also profoundly personal then there's nothing to live or die for. It's a form of communication meant to help us relate our experiences to one another, not separate ourselves from anyone who doesn't conform to our ideals.
That's what I think, in any case. And I don't think I'm the only one.
Thursday, March 10, 2011
The More Things Change...
On the topic of soap-bubble faith and lashing out at anything that threatens it, there's a well known example in recent U.S. history - although the entire story has been a bit glossed over as time has rolled on.
Most Americans are vaguely familiar with the comment John Lennon made saying that The Beatles were "bigger than Jesus" however, not many have ever read the actual quote:
The context was an interview by a close friend of The Beatles, Maureen Cleave. The quote and containing article were met with no controversy in the UK when it was published as the question of declining church membership was a relatively benign topic of discussion in their country at that time.
Five months later, however, Texas and Alabama radio stations picked up the story from the cover of a teenybopper magazine called Datebook. This was 1966, and the American South was already a powder keg. A Beatle Boycott went into effect, meaning of course that stations talked about them and the quote incessantly. Records were smashed or burned. Most people are vaguely aware of that part of the story, as well.
One of the things most Americans today are unaware of is the fact that the Klu Klux Klan was heavily involved in this protest.
Part three has an interview with the klan's imperial wizard at the time. 10 points to Gryffendor for noticing him disparaging British Socialism*, and warning that it will naturally lead to cooooooooooommmunism!
Ooga booga, as it were.
If you only have time for one video, watch number three. Two and three have the bits of the controversy most forgotten:
*The United States has very poor long term memory. All of the cries of socialism infiltrating the current political discussion have a direct link back to opposition to the civil rights movement. The fact that it's reaching a fever pitch during the first term of a PotUS who happens to be a person of color is no coincidence.
Most Americans are vaguely familiar with the comment John Lennon made saying that The Beatles were "bigger than Jesus" however, not many have ever read the actual quote:
"Christianity will go. It will vanish and shrink. I needn't argue about that; I'm right and I'll be proved right. We're more popular than Jesus now; I don't know which will go first—rock 'n' roll or Christianity. Jesus was all right but his disciples were thick and ordinary. It's them twisting it that ruins it for me"
The context was an interview by a close friend of The Beatles, Maureen Cleave. The quote and containing article were met with no controversy in the UK when it was published as the question of declining church membership was a relatively benign topic of discussion in their country at that time.
Five months later, however, Texas and Alabama radio stations picked up the story from the cover of a teenybopper magazine called Datebook. This was 1966, and the American South was already a powder keg. A Beatle Boycott went into effect, meaning of course that stations talked about them and the quote incessantly. Records were smashed or burned. Most people are vaguely aware of that part of the story, as well.
One of the things most Americans today are unaware of is the fact that the Klu Klux Klan was heavily involved in this protest.
Part three has an interview with the klan's imperial wizard at the time. 10 points to Gryffendor for noticing him disparaging British Socialism*, and warning that it will naturally lead to cooooooooooommmunism!
Ooga booga, as it were.
If you only have time for one video, watch number three. Two and three have the bits of the controversy most forgotten:
_______________________
*The United States has very poor long term memory. All of the cries of socialism infiltrating the current political discussion have a direct link back to opposition to the civil rights movement. The fact that it's reaching a fever pitch during the first term of a PotUS who happens to be a person of color is no coincidence.
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